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Added a Pitch Bend Range (PBR) control. This MIDI parameter defines the number of semitones to pitch shift when the modulation wheel is at the maximum. Like any MIDI controller it can be sent within your MIDI events, but we added a specific control for convenience.

In most samplers this parameter is set to +/- 2 semitones. However, due to the specificity of Indian music, our default is +/- 8 semitones to allow very large pitch bends often used in this musical tradition. But if you are more comfortable with a less sensitive pitch modulation, you can set it to a lesser value like 2. Just note that when you audition the loops included in the Library pane, the PBR will jump back to 8 because these loops have been created using that setting. • You can now specify the nr of loops to drag by pressing the +/- signs on the drag area. • Automatically transposed Tanpura Mid loops to match the voice range.

• Bug fixing: selecting the instrument from the host did not refresh the UI. • Bug fixing: parameters changed in the host did not reflect in the UI • Bug fixing: corrected a large space between the loops in the dragged file that was occurring under certain conditions. • Bug fixing: corrected an issue that was crashing the plugin when opening an additional instance under certain conditions. Added a Pitch Bend Range (PBR) control.

This MIDI parameter defines the number of semitones to pitch shift when the modulation wheel is at the maximum. Like any MIDI controller it can be sent within your MIDI events, but we added a specific control for convenience. In most samplers this parameter is set to +/- 2 semitones. However, due to the specificity of Indian music, our default is +/- 8 semitones to allow very large pitch bends often used in this musical tradition. But if you are more comfortable with a less sensitive pitch modulation, you can set it to a lesser value like 2. Just note that when you audition the loops included in the Library pane, the PBR will jump back to 8 because these loops have been created using that setting. • You can now specify the nr of loops to drag by pressing the +/- signs on the drag area.

• Automatically transposed Tanpura Mid loops to match the voice range. • Bug fixing: selecting the instrument from the host did not refresh the UI. • Bug fixing: parameters changed in the host did not reflect in the UI • Bug fixing: corrected a large space between the loops in the dragged file that was occurring under certain conditions. • Bug fixing: corrected an issue that was crashing the plugin when opening an additional instance under certain conditions.

The Practice pane sets up a virtual Indian group for you. Proekt zhilogo doma srednej etazhnosti. When I was growing up, Indian music in Britain was a very underground thing. Apart from immigrant families like mine and perhaps a few Beatles-influenced Western fans, there wasn't a great market for it or appreciation of its unique possibilities.

Now, however, nary a day goes by without another advert Bollywooding it up or trance act sampling some 'Indian atmosphere'. Add that to the mainstream success of artists like Asian Dub Foundation, Nitin Sawhney and Talvin Singh and you can see that Indian music is finally becoming a visible part of British musical culture. And American too, judging by the Indian flavour in tracks from Missy Elliot, Redman and other hip-hop/R&B heavy hitters. I'm lucky in that I grew up listening to my parents' record collection. So I'm naturally familiar with the sound of Indian music, whether it's the pukka classical tunes my dad prefers or the more poppy Hindi film soundtracks my mum sings along with. But to a puzzled outsider, Indian music may seem initially intimidating and they may approach it filled with questions.